Showing posts with label misc. Show all posts
Showing posts with label misc. Show all posts

12.09.2009

A Small Smooth Stone



Polished Stone; oil on canvas; 60 x 48 inches

11.24.2009

Taking Root



detail of my latest oil on canvas, 60 x 48 inches

11.16.2009

Packaged



oil on canvas, 60 x 48 inches

11.03.2009

Misc. is Easier to Spell than Miscellaneous


a sketch for the next painting - complete with an axis of symmetry


latest painting - sitting on the studio floor (60 x 48 inches - oil on canvas)


latest painting - detail

10.29.2009

"How Now, Brown Cow" - a lesson in elocution



in progress - on the easel



in detail

Cow Revisited



new sketch for the next painting

10.26.2009

Spirit of Youth



in progress - detail of a Kleenex ghost




in progress - easel view

3.12.2009

In Uniform



About Face, oil on canvas, 30 x 24 inches

3.05.2009

Like Soldiers



All in a Row, oil on canvas, 30 x 24 inches

8.13.2007

On Spiders, Spinning and Elegance

It was a big deal for me when I figured out a way to keep my models from spinning. Actually, my youngest son did it for me when he designed a still-life teepee-of-sorts. From opposite legs of this "teepee," I can tie a horizontal thread at the level of the object and influence its rotation. I'm still planning to take a photograph of that and post it. Until I get around to doing that though, I thought I'd cut 'n' paste the following image and article from the National Center for Scientific Research in France - about spiders and their far more elegant solution to the spinning problem:

© Anthony Carré - CNRS 2006

"Fasten an object to the end of a vertically suspended thread. Give it a slight twist and let go. You will observe that the object rotates for a certain length of time and with a certain amplitude, depending on the material of the thread. Now observe a spider suspended from its thread: It is stable, doesn't move, spins its thread in a perfectly straight line and always recovers its balance after environmental disturbances.

By experimenting with a torsion pendulum to which they attached a mass equivalent to a spider's weight, researchers at the Laboratoire de physique des lasers(CNRS/University of Rennes) compared the dynamic reactions of different types of thread to a 90° rotation. The results are revealing: a KevlarTM filament (which is synthetic) behaves like an elastic, with reduced oscillations. A copper thread oscillates slightly but does not return to its original shape, and becomes more fragile as a result of these oscillations. Spider's thread, on the other hand, is very efficient at absorbing oscillations, regardless of air resistance, and retains its twisting properties during the experiments. It also returns to its exact original shape. Certain alloys, such as Nitinol, possess similar properties but must be heated to 90° to return to their original shape.

The amazing properties of spider's thread have been known for several years: its ductility, strength and hardness surpass those of the most complex synthetics fibers . It now also seems that through natural selection, spider's thread has evolved into a material with “self-shape memory effect” which allows it to return to its original configuration without outside stimulus. This complex dynamic process has recently been represented as a “stacked” model which the authors use to depict the relaxation of the different proteins in spider's thread." - from CNRS March, 2006

6.05.2007

A Bow for a Present


30 x 24 inches, oil on canvas

5.26.2007

Kleenex Ghost


30 x 24 inches, oil on canvas

5.13.2007

Springtime in a Hand Mirror


30 x 24 inches, oil on canvas

5.10.2007

Easy-Open Soup Can


30 x 24 inches, oil on canvas

4.26.2007

Disc


30 x 24 inches, oil on canvas

4.12.2007

Open Ended Scissors


30 x 24 inches, oil on canvas

4.07.2007

Inner Tube in Green Plastic


24 x 30 inches, oil on canvas

3.18.2007

The Key


30 x 24 inches, oil on canvas

2.11.2007